Dante and his Divine Comedy have been read and studied for
centuries. However to understand its context and complexities one must have a
reasonable understanding of the temporal context of the world Dante wrote in.
One key element was the battle between the Franciscans and the Papacy regarding
the issue of poverty. The book by Havely, is an excellent introduction to this
essential dimension.
The Franciscans in the early 14th century were
divided into two camps; the Spirituals and the Conventionals. The Spirituals
had a view of poverty which was in the extreme. That is no Franciscan could “own”
anything or it was a breach of their vow of poverty. Even to the extent of
their tunics, which were communal and limited in number to what they wore and a possible clean spare.
The Conventionals on the other hand limited poverty to actual ownership, such
as a horse or even a book. They horses and books were communal and the
ownership was in the name of the Pope and not the order per se.
By the late 13th century and early 14th
several trends tended to collide, with poverty being a focal point. The major
tendency was that of the increasing opulence of the Papacy and its alignment
with France and its ultimate move to Avignon from Rome. Too many, and Dante
included this was a breach of duty of the Pope and the excesses of these
erstwhile Popes were a denial of their prime duty as Bishops of Rome. Pope
after Pope were handing out favors for money, and some of these favors were
forgiveness of sins. Popes were appointing massive numbers of family members to
key positions in the Church, so that what had been a fundamental religious
position was not a secular organization taking money for the issuance of
religious gifts.
Add to this the city states in Italy, such as Florence from
whence Dante came and was expelled, and Bologna, Milan, Venice, Ravenna. Across
Italy there were Guelphs and Gibberllines, supporters of the Holy Roman Emperor
or Pope.
In a sense these three waves of conflict, poverty and its
Christ and Apostle like adherence, the Pope and his legitimacy as Bishop of
Rome, and the conflict between Church and State as to secular rule. The
contrasts led to massive conflicts in society.
The author then takes the reader through Dante’s Divine
Comedy laying out how the three parts of it reflect his view of these
conflicts. In the Inferno, home to evil Popes and public figures who have
betrayed the trust that people put in them are shown to suffer the pains of
Hell.
Chapter 1 is a superb discussion of Franciscan poverty. It
is essential to understand some of the elements since Dante came from Florence
and Santa Croce in Florence was a Franciscan school which Dante may very well
have attended. It was also a hot bed of many of the Spirituals of the time.
Chapter 2 is the core chapter on Inferno. As Virgil takes
Dante around the Inferno, he stumbles, literally as well as figuratively, upon
Popes whose presence is there as a result of avarice. Pure abject greed and use
of the office for personal gain and aggrandizement, which is what Dante relates
over and over. The second theme is authority after avarice. This is a key
combination. For when Dante ages thinkers like Marsilius of Padua has begun
promoting his ideas of leadership and political science. Marsilius sees the
Pope as a religious leader, separate from the world, and further see the
secular leaders as serving those to whom they lead, and furthermore selected by
those very people. Marsilius introduces into the political thought the
construct of the individual, the individual as a separate and autonomous agent
and not as a subject of any king or Pope. William of Ockham was soon to take
this further in his battles with John XXII. One can see many of these ideas
starting to come forth in Dante and his Inferno.
Chapter 3 is Purgatorio is driven by the theme of poverty in
spirit. Chapter 4 is Paradiso and its theme is poverty and authority. Chapter
4, Epilogue, is a superb summary of all the issues the author considers.
To understand Dante, in my opinion it is essential to
understand his time and the issues which drove him. Estranged from Florence, he
spends time throughout the city states of northern Italy, writing in his Divine
Comedy about the issues of his time, but they are also issues which rise above
what he sees. The issue of poverty and the Franciscan Spirituals is truly an
issue of authority. It is also an issue of what responsibilities those who rule
have, not just what powers they can exert. What one sees in the Inferno are not
just evil people being punished, but evil deeds which must be corrected.
This book is an essential reference for anyone studying
Dante. Dante can be read as a student in the context of a compulsory exercise
or as an educated adult as insight to the cruelties of abused power. Dante, in
focusing on the Franciscan issue of poverty, sets a sounding board for the
developing change in governance, spiritual as well as temporal. This book is a
brilliant light on those issues and is essential not only for understanding
Dante but also in understanding the early development of political change. The
centuries before Montesquieu, Locke, Mill, were started by the arguments of
poverty, and then authority and its source.